I heard a joke about an English major who loses his job and ends up on the street. Like many who are down-and-out, he makes a sign and starts looking for handouts. It reads: Will look at BIG PICTURE for food.
I’m sure there are lots more where that one came from. Please, if you have one, send it to me. I need a good laugh.
One thing I enjoy most as an editor of Blood Orange Review is that I get to be part of the big picture. With each acceptance, I see the next issue taking shape. Heather and I have marvelously expensive long distance phone calls where we talk about our plans and desires for the coming year. We fret and rejoice, alternately, and it’s invigorating.
Another joy of this enterprise is that while we spend a lot of time with the BIG PICTURE, because of the nature of the work and the size of our staff, we never lose sight of the details and tasks necessary to getting the work done. Data entry, editing, tracking submissions, filing, we do it all.
Today, while logging submissions into our database, I came across a writer who listed as his contact information "No Fixed Address." At other times I’ve come across writers from the same zip code, and I wonder if they know of each other, neighbors in this often lonely field.
I’m glad that the small detail work keeps me in touch with the writers and artists who submit to Blood Orange Review. I record the submissions of the people who submitted to us on the last day of the year, and I say, Good job. And to the people who submitted after the first, Keep it up. Heather and I are happy to be a small part of the big picture. We hope you agree.